Adventures of Cooper and his oboe, Barbara.

July 24, 2007

Quote

Filed under: Other Blogs — cjwrightoboe @ 4:17 pm

Maryn K. Leister used to write an email update that was sent out to her customers every week or so. She runs her company MLK Reeds, but I’m not sure if she sells reeds much anymore, because on one of the last newsletters I received she said something about changing her company into a “reed support service”. In any case, I used to really enjoy reading her newsletter, and even won a trivia contest to send in a trivia question. I’m not sure why she stopped sending it, or maybe somehow I got removed from her newsletter email list. Do others receive her newsletter still?

I was looking at her oboe blog entitled “flarp“, which she hasn’t updated in six months, and came across an interesting quote here.

Accept the challenges, then figure out how to meet them.

-John Mack

She goes on to explain how this quote affected the decision she made her Sophomore year of college.

Circular Breathing

Filed under: My Oboe Playing — cjwrightoboe @ 2:47 pm

So I’ve been working on circular breathing, and I feel like I’ve almost got it, but it still is escaping me. It was a discussion on the oboe Bboard and is a topic all oboists approach, but few master. I followed Jacqueline Leclair’s instructions as well as Professor Martin Schuring’s directions, and can do all of them but my step three (switching from the coffee straw to the reed) isn’t going well. I simply can’t build up enough pressure to sustain a reed, but can sustain a coffee straw.

I know it’s certainly possible. I know some flutists and even the legendary Arnold Jacobs could circular breathe on Tuba. I’m just stuck on that step, and don’t know how to go forward.

I simply hate breaking the musical line to breath, particularly when I don’t really need to breath, but rather breath out! Circular breathing is necessary on many pieces, such as all of the Pasculli pieces, along with many Bach Concertos (the D minor, and F major for example.) I think it would be very useful for the Strauss Concerto, Bach A major oboe d’amore concerto, and many 20th century pieces. Currently, I’ve been working on Bach’s Violin Partita No. 3 in E major transposed down a step (as Klein did on his CD), and would love to be able to circular breath. (It just doesn’t work when you don’t circular breath on it.)

Has anyone have more advice for me? I’ve read everything I can, and still am stuck.

Survey!

Filed under: Uncategorized — cjwrightoboe @ 2:09 pm

Seeing that 219 people visited my site yesterday, I thought it would be appropriate to poll people as to what exactly you’re interested in when you view my site.

Check at the bottom of the right sidebar and take my little survey! Just click on one of the answers you think fits you best. You can choose to leave your name, or leave it anonymous. It will help me to know what people are most interesting on here, and what topics I should research further.

Old Fashioned Piccolo oboe?

Filed under: Uncategorized — cjwrightoboe @ 12:08 pm

What is this? I think it might be a piccolo oboe!

Old Loree Mandrel, which staples?

Filed under: Oboe Reeds — cjwrightoboe @ 11:54 am

One reader has been having a difficult time finding staples that fit on his old Loree mandrel. Does anyone use an old Loree Mandrel? Which staples are your currently using for it? Any information would be useful.

New Tabuteau Book coming out!

Filed under: Books — cjwrightoboe @ 11:52 am

At the request of a reader, I am mentioning to people that new Tabuteau book is coming out! Written by Laila Storch, Professor Emerita of the University of Washington, this book should be a fantastic resource to oboists and musicians alike. I’ve been told, it’s currently in the last stages of editing, and will be another several months before it is finalized, but it is certainly something to look forward to.

Meanwhile, I must say it is being published by Indiana University Press, who also published (and discontinued!) the Ledet’s Oboe Reeds Styles. That said, if they didn’t realize how important that book is to oboists and discontinued it, I don’t have much hope for them to keep the Tabuteau book on the market for long. So buy many! You’ll probably want one for yourself, and to give to your students in the future. Or maybe in 20 years you’ll be able to sell them for 500% resale!

U of O plans.

Filed under: University of Oregon School of Music — cjwrightoboe @ 11:41 am

So Helena finally got back to me, saying:

A French recital sounds great! There are a million of those French
conservatory pieces that I need to learn (so many Bozzas, so little
time…) And of course I’d love to do the Poulencs (I might even pick
the clarinet/bassoon sonata for my piece of choice, since my roommate
next year is a clarinetist). If we could organize a sextet (which
would probably be a bit of a challenge - yikes!), I’d
like to do the Thuille at some point, too. I’m just looking over your
blog entry right now at the list of stuff you want to do, and I
definitely feel similarly about almost everything on that list (e.g.
I’ve never done any Zelenka, and I’ve done the first two movements of
Nielsen so many times - but never the third movement with all of the
solo variations!!).

A clarinetist in the works, eh? Maybe it’s time to pull out the Francaix Divertissement as well!

I’m very excited to have a Bassoon buddy who is as excited about chamber works as I am. When I was at Interlochen, I had a good friend named Beth Ball who ended up going to BYU and later transferring to SUNY Geneseo before doing her Master’s at MSM. We played lots of stuff together, and had some of the best times that year. At Mich State, my old pal Kyle Anderson (roomie from Interlochen) and I began playing a bit together and we had a lot of fun as well. (Isn’t it amazing how much better you get along with people when you’re NOT living with them?)

Helena also mentioned that I should join Mu Phi Epsilon which appears to be some music fraternity (apparently with women as well). She said they are organizing monthly chamber performances, and that it’d be a good way to network. Plus, my oboe professor will be the supervising advisor. I have no idea about this membership, what it costs, or what I need to do, but I’m definitely NOT a Greek system kind of guy. Is anyone out there a member of Mu Phi Epsilon? Am I going to have to do anything stupid like run across campus in nothing but women’s underwear?

Ebay bargains. (Hope they are real)

Filed under: Uncategorized — cjwrightoboe @ 11:23 am

It looks like a legitimate post.

An LE Loree for $550 currently? Who’s going to bid on it? Should be going for closer to $3000 or so!

I’m tempted just to bid and resell it if it’s not any good.

An old-style Malerne - $42 I’m the highest bidder yet

An RDG single radius oboe gouging machine for $500. I prefer a double radius setup, but For all of high school I used a RDG and then in college I bought a Ross.

The Oboe by Leon Goosens. Currently at $5.

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